Easter is a Shapeshifter

History, and how our perceptions as society change over time, is fascinating to me. Is it fascinating to you?

For instance, where did the word Easter come from?

Originally it was called "Pascha," meaning Resurrection Sunday. (From the Jewish pesach, or Passover.) The word Easter comes from "Eostre," originally Ostarmanoth (or Eostremanoth), the name Charlemagne replaced April with. Eostre is an Anglo-Saxon word meaning "the month of opening" or "the month of beginnings," aka, SPRING. So because the Pascha fell in the season of Eostre, it eventually took on the name of Easter. (Word evolutions are a funny thing.)

You've probably heard that "Easter" came from pagan roots. That's what I'd heard. That may not be so. In fact, Easter eggs were a sign of new life. Bunnies were a symbol of new life as well in the sense of fertility. Might they have entered the picture later as a pagan symbol? Sure. But maybe not.

So whether you're religious or not, whether you believe or not, this recent holiday celebrates a sacred, religious moment in history. A moment that gives me hope.

Two weeks ago, JA Andrews shared A THREAT OF SHADOWS along with two truths and one lie. Anyone who guessed was entered to win an eBook, and if the randomly selected winner guessed the lie correctly, they would win the bonus A KEEPER'S TALE.

The game:

1. I have aphantasia, which is the inability to make pictures in my own head.
2. I hate aluminum foil so much that I refuse to touch it. Or anything it’s wrapped in. 
3. I have a degree in rocket science.

The lie: #2.  

From Simone: Huge lie. I actually have OCD and I'm a neat freak! I can't stand any extra clutter or things out of place. I like my house to look like a museum. Sometimes I drive my husband a little nuts with all of my organizing and getting rid of things we don't need, but our home is very peaceful. 

And the winner is:

...DRUM ROLL...

Liz!

Congrats, Liz!

And now for an AWESOME fantasy:

When Kara Magari uncovers a secret door in the middle of the forest, she discovers (and trips through) a portal to a hidden world full of terrifying things: Ourea. She just wants to go home, but the natives have other plans for her. She clashes with immortal shapeshifters, is carried off by a dragon, nearly dies on several occasions, and somehow becomes the master of an ancient book of magic called the Grimoire. Every time she thinks she’s safe, her new “friends” show their true colors.

Kara needs an ally, or she might not survive Ourea’s monsters. She drops her guard when Braeden, a native soldier with a dark secret, vows to keep her safe. And though she doesn’t know it, her growing attraction to him may just be her undoing.

For twelve years, Braeden Drakonin has lived a lie. The Grimoire is his one chance at redemption, and it lands in his lap when Kara Magari comes into his life. Though he begins to care for this stranded girl, there’s something he wants more. He wants the Grimoire.

Welcome to Ourea, where only the cunning survive.

Buy your copy on Amazon.

Ready to meet the author?

When S. M. Boyce graduated with a degree in creative writing, she realized that made her well-qualified for serving French fries. It would take years of writing hundreds of thousands of words of all kinds before she became the fantasy and horror novelist she is today.

Boyce specializes in action-packed stories that weave in fantasy, mystery, and heroines with a knack for mischief. All romantic leads are based loosely on her husband, who proves that soulmates are real.

You might stumble across her munching on brie and apples.

S.M. Boyce gave me two truths and one lie to test your "lie detector" skills. If you guess the lie, right or wrong, you will be entered to win an eBook of LICHGATES. (Open internationally.) IF YOU DON'T HAVE A BLOGGER ACCOUNT WITH AN EMAIL ON THE PROFILE, PLEASE LEAVE YOUR EMAIL ADDRESS IN THE COMMENTS OR EMAIL IT TO crystal@crystal-collier.com WITH YOUR SCREEN ALIAS.

You have until Tuesday, May 2nd at 2 p.m. EDT to guess. Be sure to come back for the answer on May 3, 8 a.m. EDT.

TRUTH OR LIE

1. Before quitting to write full time, I used to work as a software tester and was even promoted to lead/deemed the project expert of the software.
2. I planned a cross-country move from Maryland to Washington state in 2 weeks, from idea to move-in.
3. Due to an addiction to glittery things, I own 24 carats worth of diamond jewelry.

So sleuths, which is the lie? How do you feel about Easter? Do you celebrate it, and if so, how? Have you met S.M. Boyce? Do you like portal stories?

The Seven Deadly Edits

No, I am not talking “syntax” or “grammar”.

Books are long. I don’t mean that just in the number of pages or words. I mean the journey. As every writer knows, writing the dang book is only ½ the work. (More like ¼ in my case—or less.) Granted, there are people who can make magic happen in a single draft, but for the rest of us mere mortals, editing is inevitable. Forgive the title—because most of us will complete more than seven edits, these are simply editing categories.

1. The Detail-enator: I find, and you may too, that in the heat of the moment several little details, like oh, the fact the MC is wearing a sweater and should be dripping sweat (potentially blinding sweat) as he runs from the bad guy, tend to slip my mind. Therefore, the first edit is to go back and insert these relevant details—if I wish my writing to be believable. Every detail. An abundance of details—half of which will likely disappear by the final draft, but are imperative to me understanding exactly how each scene plays out. My drafts tend to grow by about 30% in this stage.

2.       The Continuity Continuum: Do all the loose ends connect? Where are the plot inconsistencies, and how to I proverbially sweep them under the mat? Did the MC have an injury in the second chapter I completely ignored the rest of the manuscript? Did Bob promise to come visit the MC’s best friend right before the conflict exploded, never to be heard of or thought of again? Excellent outlining can limit the number of inconsistencies, but inevitably, there will be a few. (Or a lot.)

   

      3. The Character Consistency: This is my FAVORITE edit—the one we examine every individual, understand truly and deeply how they tick, and why they react exactly how they do to each situation. What are they thinking? What are their mannerisms? What psychological scarring mars their actions/reactions? Usually I complete an entire edit per character on the manuscript, charting where they are at all times during the plot, and tightening their appearances/dialog to fit their exact perspective. Part of the fun with this edit is finding a character who’s lacking, and pulling from that mental shelf of quirky people I keep swearing I’m going to write into characters.

4.      Thematic Thorough-gate: Some people lay pretty heavy on the importance of “theme” in a book. Yes, I’m speaking of crazy artists whose noses are so high they can’t smell their own food. Theme is pertinent, and in some stories, paramount. The ones that stick with you forever usually revolve around powerful themes conveyed in every scene. Therefore, I include the “theme” edit. (Though most the time I’m scratching head as to exactly what I meant to say. I just wrote a story okay? Everything else is subliminal.) Hoping as I become more seasoned, this will become a deeper part of my “art”.

           5. Speaking of art, the Beauty Check: By the time I get here, I know I’m nearly done. Scanning through my document five to seven times, I identify any location where “show, don’t tell” applies. And what I mean by show, is painting the world with words. Rather than saying, “She saw a dog”, I might change such a statement to read, “A schnauzer’s stench caught her dander-sensitive nose.” Paying attention to all five senses, here is where reality begins to feel like the moon—well rounded. (Or not.) This is where language becomes art.

6.       Language Litigation: How many times can you use “bounded” or “gasped” in a single chapter, or book? This is where we identify trouble words and root them out. See, it’s easy to subliminally think, “Oh I like effervescent”, and then use it five times in the next page—without realizing it. During this edit, the thesaurus does laps while I bang my head and scream about cutting one more “was”, “that”, or “look”. Language also means sentence structure. Action sequences demand jarring sentences—short and exciting. Thoughtful, or calm scenes call for flowing strings of words that gleam in the candle light. The end of this edit includes syntax, misspelled words, grammar (or the absence thereof—depending on the character), and typo’s. All of this builds into the last, and sometimes most consuming edit,

.      7. Flow. When I met my first literary agent, she spoke of writing being “prose”. I scratched my head. Prose? No, this is just story telling—not poetry in every page. Since that time I realized the validity of her description. When someone reads my stories, I want the expressions to move naturally. I want each sentence to spill off the reader’s mental tongue so smoothly they forget they’re reading. Therefore, I spend agonizing hours pouring over every word, every paragraph, every page until I almost have the entire book memorized. By the time I’m done, I have literary gold. (Until my husband tells me otherwise—which he does, every time. *sigh*)

And by the time I finish, either the story is dead, or I am.   Is it a wonder it takes years to turn out a single book?

Well, there’s my editing process—in case you were ever curious. Thoughts? What do you differently? The same?